The Merchant of Venice Summative Test and Answer Key
Conclude a unit on William Shakespeare's The Merchant of Venice with this fifty-question test delivered in Word Document and PDF formats. (Alternatively, a self-grading Google Drive option is available.) An answer key is included. This assessment is divided into four sections and breaks down as follows.
Part 1. Knowledge of Plot. Students will demonstrate comprehension of the following:
Antonio's general demeanor in the opening Act
Bassanio's personal motivations
Antonio's relationship with Bassanio
The conditions under which Portia may marry
Shylock's distinguishing characteristic
Shylock's deal with Antonio
Why Launcelot wishes to sever ties with Shylock
Gratiano's distinguishing characteristic
Jessica's commitment to Lorenzo
Jessica's crime against her father
Bassanio's participation in the casket-choosing game
Portia's perception of Antonio
The Duke's sympathetic inclinations toward Antonio
Antonio's resignation to fate
Characters in disguise
Gratiano's gift to Portia
Portia and Nerissa's planned deception
Part 2. True/False and Either Or. Students will identify whether a statement is true or false, or they will identify the correct option between two choices. Questions focus on:
The deed from Shylock
Antonio's characterization
Nerissa's disguise
Shylock's stubbornness
What Bassanio discovers inside his chosen casket
Salerio and Solanio's reaction to news of Antonio's lost ship
Balthazar's role
Morocco's general characterization
Old Gobbo's condition
Launcelot's role
Part 3. Quotations in Context. Students will match an excerpt with its appropriate context.
Act 1, scene 1: Your mind is tossing on the ocean, / There, where your argosies with portly sail, / Like signors and rich burghers on the flood— / Or, as it were, the pageants of the sea— / Do overpeer the petty traffickers / That curtsy to them, do them reverence / As they fly by them with their woven wings...
Act 1, scene 2: ...such a hare is madness the /youth…
Act 2, scene 1: I would not change this hue, / Except to steal your thoughts, my gentle queen.
Act 2, scene 2: ...I am famished in / his service; you may tell every finger I have with / my ribs.
Act 2, scene 2: Mark me now; now I will raise the waters...
Act 2, scene 7: Gilded tombs do worms enfold.
Act 3, scene 3: But, since I am a dog, beware my fangs…
Act 4, scene 1: So please my lord the duke and all the court / To quit the fine for one half of his goods, / I am content…
Act 5, scene 1: ...watch me like Argus.
Part 4. Application of Literary Devices. Students will be given a detail or excerpt from the drama and must determine which literary device is best reflected. Literary devices addressed include:
Hyperbole
Personification
Allusion
Euphemism
Oxymoron
Pun
Epistrophe
Metaphor
Simile
Conclude a unit on William Shakespeare's The Merchant of Venice with this fifty-question test delivered in Word Document and PDF formats. (Alternatively, a self-grading Google Drive option is available.) An answer key is included. This assessment is divided into four sections and breaks down as follows.
Part 1. Knowledge of Plot. Students will demonstrate comprehension of the following:
Antonio's general demeanor in the opening Act
Bassanio's personal motivations
Antonio's relationship with Bassanio
The conditions under which Portia may marry
Shylock's distinguishing characteristic
Shylock's deal with Antonio
Why Launcelot wishes to sever ties with Shylock
Gratiano's distinguishing characteristic
Jessica's commitment to Lorenzo
Jessica's crime against her father
Bassanio's participation in the casket-choosing game
Portia's perception of Antonio
The Duke's sympathetic inclinations toward Antonio
Antonio's resignation to fate
Characters in disguise
Gratiano's gift to Portia
Portia and Nerissa's planned deception
Part 2. True/False and Either Or. Students will identify whether a statement is true or false, or they will identify the correct option between two choices. Questions focus on:
The deed from Shylock
Antonio's characterization
Nerissa's disguise
Shylock's stubbornness
What Bassanio discovers inside his chosen casket
Salerio and Solanio's reaction to news of Antonio's lost ship
Balthazar's role
Morocco's general characterization
Old Gobbo's condition
Launcelot's role
Part 3. Quotations in Context. Students will match an excerpt with its appropriate context.
Act 1, scene 1: Your mind is tossing on the ocean, / There, where your argosies with portly sail, / Like signors and rich burghers on the flood— / Or, as it were, the pageants of the sea— / Do overpeer the petty traffickers / That curtsy to them, do them reverence / As they fly by them with their woven wings...
Act 1, scene 2: ...such a hare is madness the /youth…
Act 2, scene 1: I would not change this hue, / Except to steal your thoughts, my gentle queen.
Act 2, scene 2: ...I am famished in / his service; you may tell every finger I have with / my ribs.
Act 2, scene 2: Mark me now; now I will raise the waters...
Act 2, scene 7: Gilded tombs do worms enfold.
Act 3, scene 3: But, since I am a dog, beware my fangs…
Act 4, scene 1: So please my lord the duke and all the court / To quit the fine for one half of his goods, / I am content…
Act 5, scene 1: ...watch me like Argus.
Part 4. Application of Literary Devices. Students will be given a detail or excerpt from the drama and must determine which literary device is best reflected. Literary devices addressed include:
Hyperbole
Personification
Allusion
Euphemism
Oxymoron
Pun
Epistrophe
Metaphor
Simile
Conclude a unit on William Shakespeare's The Merchant of Venice with this fifty-question test delivered in Word Document and PDF formats. (Alternatively, a self-grading Google Drive option is available.) An answer key is included. This assessment is divided into four sections and breaks down as follows.
Part 1. Knowledge of Plot. Students will demonstrate comprehension of the following:
Antonio's general demeanor in the opening Act
Bassanio's personal motivations
Antonio's relationship with Bassanio
The conditions under which Portia may marry
Shylock's distinguishing characteristic
Shylock's deal with Antonio
Why Launcelot wishes to sever ties with Shylock
Gratiano's distinguishing characteristic
Jessica's commitment to Lorenzo
Jessica's crime against her father
Bassanio's participation in the casket-choosing game
Portia's perception of Antonio
The Duke's sympathetic inclinations toward Antonio
Antonio's resignation to fate
Characters in disguise
Gratiano's gift to Portia
Portia and Nerissa's planned deception
Part 2. True/False and Either Or. Students will identify whether a statement is true or false, or they will identify the correct option between two choices. Questions focus on:
The deed from Shylock
Antonio's characterization
Nerissa's disguise
Shylock's stubbornness
What Bassanio discovers inside his chosen casket
Salerio and Solanio's reaction to news of Antonio's lost ship
Balthazar's role
Morocco's general characterization
Old Gobbo's condition
Launcelot's role
Part 3. Quotations in Context. Students will match an excerpt with its appropriate context.
Act 1, scene 1: Your mind is tossing on the ocean, / There, where your argosies with portly sail, / Like signors and rich burghers on the flood— / Or, as it were, the pageants of the sea— / Do overpeer the petty traffickers / That curtsy to them, do them reverence / As they fly by them with their woven wings...
Act 1, scene 2: ...such a hare is madness the /youth…
Act 2, scene 1: I would not change this hue, / Except to steal your thoughts, my gentle queen.
Act 2, scene 2: ...I am famished in / his service; you may tell every finger I have with / my ribs.
Act 2, scene 2: Mark me now; now I will raise the waters...
Act 2, scene 7: Gilded tombs do worms enfold.
Act 3, scene 3: But, since I am a dog, beware my fangs…
Act 4, scene 1: So please my lord the duke and all the court / To quit the fine for one half of his goods, / I am content…
Act 5, scene 1: ...watch me like Argus.
Part 4. Application of Literary Devices. Students will be given a detail or excerpt from the drama and must determine which literary device is best reflected. Literary devices addressed include:
Hyperbole
Personification
Allusion
Euphemism
Oxymoron
Pun
Epistrophe
Metaphor
Simile